邢唷>? tv?s欹)` 餜饒bjbj€€8鈡鈡YB||||Tl?*HHHHHHHHs u u u u u u $#hv%j HH HH?;;;HHs ;s ;;;H< 犕 I|b;?0?;?1?;?;dHZ@;4HHH %HHH?DX$X _l蟼w闚乢-Nf[貧孨駛韹P桍e脋`NAS  悩樅NhTf 槝篘NgSf誵 2019. 5. 25N0孾媁kXzzIn a recent airing of "Unsolved Mysteries", there was a young boy who was the victim of the holocaust('Y`\@g). He d been 1 in a work camp for several years and somehow had managed to survive the 2 of his imprisonment. The story was of a boy now in his sixties and his quest to find an American soldier who had 3 a kindness to him by 4 some food. It might seem 5 , but to this child, who had seen nothing but 6 and inhumanity for__7 he could remember, it was a 8 that marked a turning point in his life, for he had lost hope. When he was liberated by the American forces, he was dying. He, 9 needed food. As he was staggering along the road, a young soldier 10 down from his tank and gave him some of his supplies. 11 this one act of generosity, a kind American had aroused the 12 again that there really was some good in the world. And the boy never 13 it. The boy later went to America, raised a family, became successful and worked hard to repay the 14 he had received with his own. Actually there were so many similar acts of generosity that it would be almost impossible to know___15 who the soldier was. We all have a choice: to create more light in the world. As Confucius 16 over 2500 years ago, 揑t is better to light one small candle than to 17 the darkness. As the story above so nicely 18 , small gestures can often generate huge 19 . If we're constantly 20 and doing kind acts, we will no doubt bring more joy into the world around us as well as into our own world!1. A. stationed B. placed C. distributed D. treated 2. A. horror B. embarrassment C. relief D. annoyance 3. A. held on B. agreed on C. focused on D. passed on 4. A. guaranteeing B. offering C. presenting D. contributing 5. A. unbelievable B. troublesome C. insignificant D. convenient 6. A. difficulty B. curiosity C. sympathy D. cruelty 7. A. as long as B. as good as C. as well as D. as much as 8. A. wave B. fate C. gesture D. duty 9. A. highly B. mostly C. hopefully D. badly 10. A. moved B. jumped C. turned D. dashed 11. A. Upon B. Besides C. With D. Beyond 12. A. honesty B. loyalty C. trust D. belief 13. A. forgot B. remembered C. delivered D. reflected 14. A. food B. mercy C. kindness D. credit 15. A. for example B. for ever C. for free D. for sure 16. A. made it B. put it C. took it D. got it 17. A. curse B. pray C. swear D. appreciate 18. A. declares B. argues C. illustrates D. expands 19. A. congratulations B. blessings C. belongings D. consequences 20. A. looking for B. adapting to C. meeting with D. bringing up孨0桘t銐AThe other morning on the subway I sat next to an attractive young blonde woman who was reading something on her iPad. She was very well-dressed, carrying a Prada bag with tastefully applied make-up indeed, she had an unmistakable air of wealth, material success and even authority. I suspected she worked as a highly-paid Wall Street lawyer or stockbroker or something of that sort. So, I was curious to see what she was so focused on. The Wall Street Journal perhaps? The Economist?Quite the contrary; rather, she was concentrating on a romance novel. Then I realized that I have known many women who love romance novels梥mart, attractive, successful, 搇iberated, modem females who nonetheless find some kind of deep satisfaction and thrill from those hyper-romantic, artificial and extremely unrealistic tales of handsome, manly heroes falling in love with virginal women, enduring a series of adventures, then no doubt having a happy ending.These romance stories are to literature what hot dogs are to fine food. Yet, the genre(SO翀) remains enormously popular. Consider some of these surprising statistics from the good folks at the Romance Writers of America (RWA):*More than 9,000 romance titles were released last year, with sales of about $1.44 billion (more than triple the revenues generated by classic literary fiction).*More than 90 percent of the market are women (okay, that抯 not at all surprising).* Readers are typically women between the ages 30 and 54 who are themselves involved in a romantic relationship (betraying the stereotype that only lonely women long for these tales of love and adventure).*Almost 40 percent of romance book consumers have an annual income of between $50,000 and $99,900 (placing them firmly in the middle class).I had thought that romance novels accounted for a very small share of the literary market, so I was quite surprised that this part has such enormous popularity. But I must wonder why so many women梖orty years after the women抯 liberation movement continue to indulge in the fanciful tales?I抦 not sure if it represents a kind of 搑ejection of the women抯 liberation movement, but clearly something is missing in the lives of contemporary ladies. A romance author named Donna Hatch who focuses on the Regency period (early 19th century Britain) explained the appeal of such books this way: 揜egency men were civilized and treated women with courtesy. When a lady entered the room, gentlemen stood, doffed their hats, offered an arm, bowed, and a hundred other little things I wish men still did today. But they were also very athletic; they hunted, raced, boxed, rode horses. They were manly. Strong. Noble. Honorable. And that is why I love them!Mrs. Hatch may have expressed the secret desires and attitudes of untold millions of her peers---that is, in the early 21st century, have women grown tired of the burdens and expectations that the 揻reedoms they have gained give them? Is this a rejection of modem feminism? Do women long for days of old when men were masculine gentlemen and women were feminine and protected as precious treasures and regarded as possessions?Perhaps most women (even the ones who get lost in romance novels) do not want to go all the way back but it is obvious, ? .21. What is the function of the opening paragraph?A. To summarize the whole passage. B. To prove the author s argument.C. To lead in the main topic of the passage. D. To raise problems that will be solved later.22. What does the underlined sentence in the third paragraph imply?A. Romance novels are satisfying and thrilling. B. Romance novels are not of much 搉utrition?C. Romance novels are as popular as hot dogs.D. Romance novels are an essential part of contemporary life.23. In the author抯 opinion, what is missing in the lives of contemporary women?A. Authority. B. Dignity. C. Liberty. D. Care.24. Which sentence can be put in the blank in the last paragraph?A. they prefer tales of innocent romance to classicsB. they are unhappy with how the world has turned outC. true love described in romance novels does exist in realityD. romance novels provide them with an access to societyBIt appears that the police now have a device that can read license plates and check if a car is unregistered, uninsured or stolen. We already know that National Security Agency can dip into your Facebook page and Google searches. And it seems that almost every store we go into these days wants your home phone number and ZIP code as part of any transaction (f . So when Edward Snowden  now cooling his heels in Russia  revealed the extent to which the NSA is spying on Americans, collecting data on phone calls we make, it's not as if we should have been surprised. We live in a world that George Orwell predicted in 1984. And that realization has caused sales of the 1949, dystopian (蚐LNXb novel to spike dramatically upward recently  a 9,000% increase at one point on Amazon. com. Comparisons between Orwell s novel about a tightly controlled totalitarian (乬Cg;NIN剉  future ruled by the ubiquitous (鄀@b(W剉 Big Brother and today are, in fact, quite similar. Here are a few of the most obvious ones. Telescreens  in the novel, nearly all public and private places have large TV screens that broadcast government propaganda ( O), news and approved entertainment. But they are also two-way monitors that spy on citizens, private lives. Today websites like Facebook track our likes and dislikes, and governments and private individuals hack into our computers and find out what they want to know. Then there are the ever-present surveillance (裿) cameras that spy on the ordinary people as they go about their daily routine. The endless war  In Orwell s book, there's global war that has been going on seemingly forever, and as the book's hero, Winston Smith, realizes the enemy keeps changing. One week we re at war with Eastasia and friends with Eurasia. The next week, it's just the opposite. There seems little to distinguish the two adversaries (鵞Kb), and they are used primarily to keep the people of Oceania, where Smith lives, in a constant state of fear, thereby making disagreement unthinkable or punishable. Today we have the so-called war on terror, with no end in sight, a generalized societal fear, suspension of certain civil liberties, and an ill-defined enemy who could be anywhere, and anything. Newspeak the fictional, stripped-down English language, used to limit free thought. OMG (Oh my God), RU (Are you) serious? That's so FUBAR (Fucked Beyond Ail Recognition). LMAO (Laugh My Ass Off). Memory hole  this is the machine used in the book to change or disappear embarrassing documents. Paper shredders (巟竳:g  had been invented, but were hardly used when Orwell wrote his book, and the concept of wiping out a hard drive was years in the future. But the memory hole foretold both technologies. So what抯 it all meant? In 1984, Winston Smith, after an intense round of 揵ehavioral modification read: torture learns to love Big Brother, and the difficult world he was born into. Jump forward to today, it seems we've willingly given up all sorts of freedoms, and much of our right to privacy. Fears of terrorism have a lot to do with this, but dizzying advances in technology, and the ubiquity of social media, play a big part. There are those who say that if you don't have anything to hide, you have nothing to be afraid of. But the fact is, when a government agency can monitor everyone's phone calls, we have all become suspects. This is one of the most frightening aspects of our modem society. And even more frightening is the fact that we have gone so far down the street, there is probably no turning back. Unless you spend your life in a wilderness cabin, totally off the grid, there is simply no way the government won抰 have information about you stored away somewhere. What this means, unfortunately, is that we are all Winston Smith. And Big Brother is the modem surveillance state. 25. What caused 1984 to sell well on Amazon.com? A. The fact that authorities have access to our personal information. B. The worry that our government agencies can monitor our phones. C. The surprise at how Americans are spied on by the government. D. The similarities between the world we live in and that of 1984. 26. Which of the following statements is TRUE? A. When Orwell wrote 1984, paper shredders didn't exist. B. Winston Smith loves Big Brother due to the fears of terrorism. C. Telescreens arc used to broadcast and spy on citizens privacy. D. The war with Eastasia makes people in Oceania fearful. 27. What docs the underlined word 搕his in Paragraph 8 refer to? A. Willingness to abandon freedom and privacy. B. Addiction to social media. C. A round of 揵ehavioral modification? D. The phone calls being monitored. 28. The underlined part in the passage replies that _______. A. we are walking along the street too far to go back home B. it is impossible for us to return to our initial path C. it抯 very difficult for us to change the current situation D. the government can find out which street we are going down 29. Which of the following is the best title for the passage? A. We抮e living ?984 today. B. Big Brother is watching you. C. We are all Winston Smith. D. The NSA is spying on Americans. 30. What is the writer's attitude towards the phenomenon?A. Optimistic. B. Concerned. C. Angry. D. Enthusiastic. N0鸑媁桘Simon Sinek is naturally shy and doesn t like speaking to crowds. At parties, he says he hides alone in the corner or doesn t even show up in the first place. He prefers the latter. Yet, with some 22 million video views under his belt, the optimistic ethnographer also happens to be the third most-watched TED Talks presenter of all time.Sinek抯 unlikely success as both an inspirational speaker and a bestselling author isn抰 just dumb luck. It抯 the result of fears faced and erased, trial and error and tireless practice, on and off stage. Here are his secrets for delivering speeches that inspire, inform and entertain.Don抰 talk right away.Sinek says you should never talk as you walk out on stage. 揂 lot of people start talking right away, and it抯 out of nerves, Sinek says. 揟hat communicates a little bit of insecurity and fear.Instead, quietly walk out on stage. Then take a deep breath, find your place, wait a few seconds and begin. 揑 know it sounds long and tedious and it feels excruciatingly awkward when you do it, Sinek says, 揵ut it shows the audience you抮e totally confident and in charge of the situation.Show up to give, not to take.&\  " $ % ' = X Y m n         ' ) * + , - B H K L P n 麸觑尻徨仔族赍仔族糖糖藐怀昝ＰＣ祝凶缅茫祝校祝茫校祝缅仔族赍赍hhP >*h`hP >*h葉h葉>*h葉hP >*hP  ho(h h葉>*o(hhP >*o(h葉 hP o( h葉o( h%,o(h%,h%,5丆Jo(@&= uaE^勔d棹WDd`勔gd頷c凔d棹WD`凔gd葉勔?d棹WD?^勔`?gd頷c劋d棹WD`劋gd葉d棹gd頷cd橚gd葉 $d橚a$gd葉饒       G S T W Y [ \ 4MOTUVACEGHI^焘筲葚忪筲菰烨涝响笄烨约遭焘窃蒽窃响馇菁扎筲响羌菰响庆卦响窃卦响馇h葉 hP >*o(hhP >* h葉>*hP  h葉o( hP o(hhP >*o( h葉>*o( h>*o( ho(J*,=?ABPRTUabcdfguw%')*68EFG螯鼽鼽黝铧辄鼽妩鼽鼽鼽鼽鼽鼽鼽螯鼽鼽鼽鼽鼽鼽螯鼽鼽鼽鼽鼽鼽螯鼽鼽鼽鼽鼽鼽螯h葉 h`o(h` h葉o( hP o(hP ZGHJKY[moqr€  ,.01>@BCPRTU^`abqsuv聆聆聆聆聆聆 h葉o(hP  hP o(_^4z[G6=_!?N%凔d棹WD`凔gd頷c $d棹a$gd頷cd棹gd頷c刬d棹WD2`刬gd頷c勔d棹WDd`勔gd頷c#%4678:;IJLMY[]^lnz|}~€&')*79;<IK[]^_abrsuv螯鼽鼽鼽鼽鼽鼽鼽螯鼽鼽鼽鼽鼽鼽鼽h葉 h葉o( hP o(hP ^#%'(68F ??$$????&&&& & &&蝽鳅鳅鳅鳅鳅鳅鳅鳅鳅眦楮菪菪菪菝菪菪菪菪菝得得莴h/?B*o(phh?h/?>*B*o(phh?h/?>*B*phh?h/?B*o(phh?h/?B*ph h%,o( h葉o(h葉hP  hP o(AN% &&t&'?#(???@)v)??#*b*???,f/1(5劋d轧WD`劋gd;k $d棹a$gd頷c勔d棹WDd`勔gd頷cd棹gd頷c凔d棹WD`凔gd頷c&&??Z'^'??R(T(????N)P)\)_)k)m)v)x)???????,.??5(7?:<桚汖1?w?擛旲朄桜AAPAQA扐揂諥譇谹貯傿凚荁菳CCCDCEC釩鉉銫D D[D\D鲭犭犭鲭犭犭鲭噪噪噪鲭犭韵势疗疗疗疗疗蛊蛊链疗疗疗疗链疗疗疗戳屏拼疗疗 h葉o(h h;k>* h;ko(h;k heho( h/?o(h?h/?B*o(phh/?B*o(phh?h/?B*phh葉B*o(phG(5H9 :A<觚 @擛旲茾AQA揂譇BAB凚菳CEC擟釩 D\D朌誅E凔d轧WD`凔gd;kd轧gd;k劋d轧WD`劋gd;k\D朌欴汥淒滵EEEERESEqEuE旹朎矱稥跡蹺軪(F*F‵狥窮篎|I}I蜪錓蜬霮h,jDj妀媕鏹鑚耴鋕Mnmn緊縪鈕鉶錹p p p(p*p,p篪簏铋铧铧簏簏簏轭茏沂潦妒洞识柿柿识识柿董ち櫫柿h頷cCJOJQJaJh頷c>*OJQJo(hM"<OJQJo( h頷c5乗Uh頷c5丱JQJ\h頷cOJQJo(h頷cOJQJ hYo( h/?o( h`o(h?h;ko( h葉o( h;ko( hNSo(hNSh;k7ESE朎跡*F‵狥篎癏蜪錓㎎蜬霮$i,jDj骿耴鋕甿Mn 劍d棹`劍gd頷c 劋d棹`劋gd頷cgdP d棹gd`劋d轧WD`劋gdNS劋d轧WD`劋gd;kd轧gd;kOften people give presentations to sell products or ideas, to get people to follow them on social media, buy their books or even just to like them. Sinek calls these kinds of speakers 搕akers, and he says audiences can see through these people right away. And, when they do, they disengage.揥e are highly social animals, says Sinek. 揈ven at a distance on stage, we can tell if you抮e a giver or a taker, and people are more likely to trust a giver a speaker that gives them value, that teaches them something new, that inspires them than a taker.Speak unusually slowly.When you get nervous, it抯 not just your heart beat that quickens. Your words also tend to speed up. Luckily Sinek says audiences are more patient and forgiving than we know.揟hey want you to succeed up there, but the more you rush, the more you turn them off, he says. 揑f you just go quiet for a moment and take a long, deep breath, they抣l wait for you. It抯 kind of amazing.Turn nervousness into excitement.Sinek learned this trick from watching the Olympics. A few years ago he noticed that reporters interviewing Olympic athletes before and after competing were all asking the same question. 揥ere you nervous? And all of the athletes gave the same answer: 揘o, I was excited. These competitors were taking the body抯 signs of nervousness clammy hands, pounding heart and tense nerves and reinterpreting them as side effects of excitement and exhilaration.When you抮e up on stage you will likely go through the same thing. That抯 when Sinek says you should say to yourself out loud, 揑抦 not nervous, I抦 excited!Say thank you when you抮e done.Applause is a gift, and when you receive a gift, it抯 only right to express how grateful you are for it. This is why Sinek always closes out his presentations with these two simple yet powerful words: thank you.揟hey gave you their time, and they抮e giving you their applause. Says Sinek. 揟hat抯 a gift, and you have to be grateful.Passage outlineSupporting details(31) ? to Simon Sinek?He is by (32) ? shy and dislikes making speeches in public.?Through his (33) ? effort, he enjoys great success in giving speeches.Tips on delivering speeches?Avoid talking (34) ? for it indicates you re nervous. ?Keep calm and wait a few seconds before talking, which will create an (35) ? that you are confident.?Try to be a giver rather than a taker because in (36) ? with a taker, a giver can get more popular and accepted. ?Teach audience something new that they can (37) ? from.?Speak a bit slowly just to help you stay calm. ?Never speed up while speaking in case you (38) ? the audience.?Switch nervousness to excitement by (39) ? the example of Olympic athletes.?Express your (40) MnmnAo緊縪蟧鈕鉶*pQzkd$$IfT斒?? €(€"?44 layt頷c奣$d棹$Ifa$gd頷c 劋d撖`劋gd頷c 劋d棹`劋gd頷c 劍d棹`劍gd頷c,p>pBpHpRp琾畃緋蕄衟趐躳靝頿 qq"q0q@qDqFqLqPqRqVqXq剄唓琿秖緌黴>r\rlr巖攔瀝猺瞨蘲蝦衦襯詒謗黵t@tBt紅黷u u*u,u.u0u*OJQJo(h頷cOJQJo(hM"<OJQJo(h頷cOJQJP*p琾DqFq俼剄黴衦p]N$d棹$Ifa$gd頷c$刬d棹$If^刬a$gd頷czkd$$IfT旔?? €(€"?44 layt頷c奣勀凕d棹$If^勀`凕gd頷c衦襯詒聅t@t*uwcc勀凕d棹$If^勀`凕gd頷c d棹$Ifgd頷c|kd$$IfT4旜?? 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