邢唷>? ?~???  !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{|}?€Root Entry F@旙腅苤 SummaryInformation(DocumentSummaryInformation8hWordDocument.? ?? !"#$%&'()*??鄥燆鵒h珣+'迟0€  $bgsNormalbgs2@瞦j6O@袆w字@蟝腅苤@竪媣字  霩=WPS Office_11.1.0.10228_F1E327BC-269C-435d-A152-05C5408002CA?胀諟.摋+,D胀諟.摋+,H€PXdlt |+婾 (\€dlKSOProductBuildVer2052-11.1.0.10228zDdbw0TableData WpsCustomData 欹増 PKSKS.礥F8|f ? T $ h_ 6* "!8q(|Y!| _l蟼w闚乢-Nf[貧Nt^12gf[臽纇Km 駛韹諎wS鑜a婲y,g諎wSS靊 愰b槝孴^ 愰b槝$N钀R0 愰b槝蜰,{1u?R,{8u ^ 愰b槝蜰,{9u橌?{10u0€uT{槝hQ钀T{(WT{槝竳 N T{(W,g諎wS N鄀He0,g!k€諎鰁魰:N120R煍 醤R150R0 愰b槝钀RqQ90R ,{N钀R ,T汻qQ$N倐 醤R30R ,{N倐 qQ5\槝蟢\槝1.5R 醤R7.5R ,T Nb?祂鵞輯0蟢祂鵞輯T gN*N\槝 蜰槝-N@b賬剉A0B0C N*N 恲?N 慂QgsO 恲0,T孾蟢祂鵞輯T `O龕 g10襶煍剉鰁魰eg轛T{ gsQ\槝孴桘 NN\槝0蟢祂鵞輯臢麐NM01. How is the weather this weekend according to the weatherman?A. Warm. B. Cool. C. Cold.2. What is the correct order number for the yellow teapot?A. TP12FS. B. TP12SF. C. PT12FS.3. What is Martin busy doing?A. Writing a book. B. Reading about Cuba. C. Looking for good news.4. What is the relationship between the speakers?A. Father and daughter. B. Teacher and student. C. Classmates.5. What are the speakers mainly talking about?A. The man s toy. B. The man s father. C. The man s childhood.,{孨倐 qQ15\槝蟢\槝1.5R 醤R22.5R ,T Nb 5 祂鵞輯b靣}v0蟢祂鵞輯b靣}vT g郠*N\槝 蜰槝-N@b賬剉A0B0C N*N 恲?N 慂QgsO 恲0,T蟢祂鵞輯b靣}vMR `O\ g鰁魰桘T*N\槝 蟢\槝5襶煍,T孾T T\槝\賬鶴5襶煍剉\OT{鰁魰0蟢祂鵞輯b靣}v麐$NM0,T NbN祂鵞輯 轛T{,{6髞7槝06. Why is the woman looking for the envelopeA. She wants to send a letter. B. She needs to give it to Jill.C. She puts her PIN number in it.7. What might the woman do next?A. Find Jill. B. Go to the kitchen. C. Buy an envelope.,T NbN祂鵞輯 轛T{,{8髞9槝08. When does the meeting end?A. At 8:30. B. At 9:00. C. At 10:30.9. What do we know about the womanA. She was late for work today. B. She will be the man s assistant.C. She is a new worker of the company.,T NbN祂鵞輯 轛T{,{10髞12槝010. Why is the man making the call?A. To have a talk with Tom. B. To invite the woman to a movie.C. To introduce a friend to the woman.11. What is Tom doing?A. Watching TV. B. Talking on the phone. C. Having fun with Julie.12. What can we learn about the man?A. He knows Julie. B. He lives in town. C. He shares a house with a friend.,T NbN祂鵞輯 轛T{,{13髞16槝013. What did the man do on Sunday?A. He went to the museum. B. He visited the old castle.C. He watched a football match.14. How did the man find the movie?A. Special. B. Interesting. C. Boring.15. Who is Helen most likely to be?A. The man s friend. B. The man s wife. C. The man s daughter.16. What food did the man have?A. Italian food. B. Thai food. C. Chinese food.,T NbN祂鵞輯 轛T{,{17髞20槝017. What difference does the speaker talk about first?A. Some expressions. B. Traffic rules. C. The food.18. What does the speaker think of the weather in London?A. Changeable. B. Great. C. Uncomfortable.19. When does the speaker finish work now?A. At 5 p.m. B. At 8:30 p.m. C. At 9 p.m.20. Where did the speaker use to go on Friday evening in America?A. To the club. B. To the gym. C. To the restaurant.,{孨钀R 桘qQ N倐 醤R45R ,{N倐 qQ15\槝蟢\槝2R 醤R30R 桘 NR韜噀 蜰蟢槝@b賬剉A0B0C孴D踁*N 恲?N  慂QgsO 恲0AUse your parking spaceAn unused parking space or garage can make money. If you live near a city center or an airport, you could make anything up to 200 or 300 a week. Put an advertisement for free on Letpark or Atmyhousepark.Rent a roomSpare room? Not only will a lodger earn you an income, but also, thanks to the government-backed  rent a room program, you won t have to pay any tax on the first 4500 you make per year. Try advertising your room on Roomspare or Roommateeasy.Make money during special eventsDon t want a full-time lodger? Then rent on a short-term basis. If you live in the capital, renting a room out during the Olympics or other big events could bring in money. Grashpadder can advertise your space.Live on setRenting your home out as a  film set could earn you hundreds of pounds a day, depending on the film production company and how long your home is needed. A quick search on the Internet will bring up dozens of online companies that allow you to register your home for free  but you will be charged if your home gets picked.Use your roofYou need the right kind of roof, but some energy companies pay the cost of fixing solar equipment (around 14,000) and let you use the energy produced for nothing. In return, they get paid for unused energy fed back into the National Grid. However, you have to sign a 25-year agreement with the supplier, which could prevent you from changing the roof.21. Where can you put an advertisement to rent out a room during a big event?A. On Letpark. B. On Roomspare.C. On Grashpadder. D. On Roommateeasy.22. If you want to use energy free, you have to .A. sign an agreement with the government B. pay around 14,000 for the equipmentC. sell the roof to some energy companies D. keep the roof unchanged within 25 years23. For whom is the text most probably written?A. Lodgers. B. Advertisers. C. House owners. D. Online companies.BWhen milk arrived on the doorstepWhen I was a boy growing up in New Jersey in the 1960s, we had a milkman delivering milk to our doorstep. His name was Mr. Basille. He wore a white cap and drove a white truck. As a 5-year-old boy, I couldn t take my eyes off the coin changer fixed to his belt. He noticed this one day during a delivery and gave me a quarter out of his coin changer.Of course, he delivered more than milk. There was cheese, eggs and so on. If we needed to change our order, my mother would pen a note- Please add a bottle of buttermilk next delivery -and place it in the box along with the empty bottles. And then, the buttermilk would magically appear.All of this was about more than convenience. There existed a close relationship between families and their milkmen. Mr. Basille even had a key to our house, for those times when it was so cold outside that we put the box indoors, so that the milk wouldn t freeze. And I remember Mr. Basille from time to time taking a break at our kitchen table, having a cup of tea and telling stories about his delivery.There is sadly no home milk delivery today. Big companies allowed the production of cheaper milk, thus making it difficult for milkmen to compete. Besides, milk is for sale everywhere, and it may just not have been practical to have a delivery service.Recently, an old milk box in the countryside I saw brought back my childhood memories. I took it home and planted it on the back porch 钑蔨 . Every so often my son s friends will ask what it is. So I start telling stories of my boyhood, and of the milkman who brought us friendship along with his milk.24. Mr Basille gave the boy a quarter out of his coin changer_______.A. to show his magical power. B. to pay for the deliveryC. to satisfy his curiosity. D. to please his mother.25. What can be inferred from the fact that the milkman had the key to the boy s house?A. He wanted to have tea there.B He was a respectable person.C. He was treated as a family member.D. He was fully trusted by the family.26. Why does home milk delivery no longer exist?A. Nobody wants to be a milkman now.B. It has been driven out of the market.C. Its service is getting poor.D. It is forbidden by law.27. Why did the author bring back home an old milk box?A. He missed the good old days.B. He wanted to tell interesting stories.C. He missed it for his milk bottles.D. He planted flowers in it.CThe day Madelyn McClarey s twin sons, Aaron and Aubrey Hough, each received scholarships(VYf[褢)to Florida A&M University, she figured that after they moved seven hours north from Hollywood to Tallahassee, she d be lucky to see them on weekends.But her sons had something else in mind. The twins told her they d move to Tallahassee on one condition. She had to go with them and work toward the college degree she d always wanted. And that is how McClarey ended up in a green cap and gown this month at FAMU. Cheering her on were her twins.  Our mom is so determined and dedicated, we re lucky to have her as our mother, said Aaron.  It was a lot of hard work, but she never gave up. McClarey s sons jumped as she was awarded a bachelor s degree (f[隭f[MO)in English with a minor in education, excited that their mom finally had the degree she d dreamed about for more than twenty years. Her professional goals were put on hold when she became a single mom looking after two kids. Before motherhood, before divorce, McClarey had gone to business school.McClarey, who described herself as  40ish, said that when her sons insisted she go with them to college four years ago, her jaw dropped, having known most teens are eager to start lives away from their parents once they graduate from high school. She said,  But I was also delighted when I realized they weren t joking and weren t going to leave home unless I moved with them, so I said,  Well, all right let s go, then.  Now that McClarey has graduated, she doesn t plan to leave Tallahassee anytime soon. She wants to stick around to encourage and support her sons, but there is also another matter to deal with.  My goal is to become an author someday, she said.  So this summer, I ll be working on getting my master s degree. 28. After being admitted to university, the twin sons wanted their mom to .A. move to Tallahassee B. see them on weekendsC. live with them in college D. continue her college education29. What does the underlined phrase  put on hold in Paragraph 3 mean?A. To be done later. B. To be improved.C. To be taken off. D. To be set up.30. How did McClarey feel when hearing her sons suggestion four years ago?A. Surprised. B. Delighted.C. Disappointed. D. Anxious.31. What would McClarey do after graduation?A. Find a job as a writer. B. Realize her dream.C. Deal with important matters. D. Move back to Hollywood.DIn early twentieth-century France, a new form of entertainment was becoming a hit motion picture. People crowded into theatres for short, silent, black-and-white films that showed everyday happenings, such as a train pulling into a station. These pictures were dimly projected onto white sheets. Usually, there was no sound. Sometimes, men at pianos played music to match the scenes.Moving images in theatres are no longer new, but back at the beginning of the art form, surprises lurked around every corner. During the first showings of basic silent movies, some people in the audience screamed in fear, reacting to what they saw as if it were happening in real life. Moviegoers were known to leap out of the way of trains on the screen. At that time, few people understood what motion pictures were, so audience members could easily be fooled.Today, people crowd into theatres for the latest 3D movies. Even older movies, such as the popular Star Wars series, are being re-released in 3D. Moviemakers are excited about the ability to involve the audience more directly in the story or film. In addition, theatres spend tens of thousands of dollars on high-quality audio systems so that everything from the safest whispers to the largest explosions sounds clear and realistic.What will movies be like 100 years from now? Will audiences be able to smell scents in the films, taste the food that characters are eating, or even becoming part of the stories themselves? Only time will tell.32. What does the underlined word  hit in paragraph 1 probably mean?A. A heavy blow. B. A crowded place.C. Something very popular. D. Something very touching.33. The author mentioned moviegoers leaping out of their seats to show .A. how foolish audiences were B. how different old theatres wereC. how scary movies from the past were D. how unfamiliar movies were to viewers then34. Why do theatres spend a lot on high-quality audio systems?A. To re-release more old movies. B. To develop movie technologies.C. To improve movies sound quality. D. To get audiences involved in the story.35. What s the author s purpose in writing the text?A. To explain how realistic movies are today.B. To tell something about future movie plans.C. To compare movie theatres over the last century.D. To introduce the development of movie technology.,{孨倐 qQ5\槝蟢\槝2R 醤R10R 9hnc韜噀匭筟 蜰韜噀T剉 恲?N 慂Q齹kXeQzz}v剉gsO 恲  恲?N g$Ny楘NYYOy0Pirates: Romance and RealityIn the movies, pirates have exciting and adventurous lives. ___36___ Which aspects of the movie pirate are real, and which are invented?A Pirate's LifeWhile movie pirates are men in search of adventure, the average pirate was usually trying to escape from a difficult life. Some were ex-sailors who were treated poorly on their ships. ___37___ They came from many different backgrounds. But on a pirate ship, equality was important. Men elected their captain and created the ship's rules together.___38___In movies, pirates have chests full of gold and piles of money stolen from other people. However. It was far more common for pirates to steal things like cloth, spices, and even medicine. They often sold these things. ___39___ They spent it as soon as they could on women and alcohol.Pirate StyleMovie pirates often wear eye patches and have wooden legs. Many real pirates also looked like this. Why? ___40___  Life at sea was hard and dangerous says David Moore, a maritime museum employee in the U.S. Disease was also common. For these reasons, some pirates lost eyes and legs.A. Pirate HeavenB. Pirate TreasureC. One reason was the poor living conditions.D. Others were escaped slaves who wanted their freedom.E. But what was life actually like for an 18th-century pirate?F. The men also divided the income from stolen goods fairly.G. Also, unlike movie pirates, real pirates didn't bury their money.,{ N倐 褳^梘桘 Wuthering HeightsqQ5\槝蟢\槝1R 醤R5R 41. Choosetherightmatch: `$HaretonEarnshaw a$CathyLinton b$Linton Heathcliffa. FrancesandHindley'ssoniscalled____ b.CatherineandEdgar'sdaughteriscalled____c.lsabellaandHeathcliff'ssoniscalled______A. `$a$b$ B.b$a$`$ C. `$b$a$ D. a$b$`$42. Which of the following descriptions is TRUE?A. Hindley Earnshaw came back to Wuthering Heights with a wife.B. Mr. Lockwood was warmly received when he went to visit Heathcliff.C. When Hindley died, Hareton inherited Wuthering Heights.D. Heathcliff wanted Hareton and Cathy Linton to marry.43. Which of the following descriptions of characteristic for each character is NOT TRUE?A. Catherine Earnshaw: passionate about Heathcliff but selfish and wants everyone and everything to be as she wants it.B. Isabella Linton: stupid how she falls for Heathcliff but strong when she runs away and looks after her son on her own.C. Nelly Dean: caring but distant and judgingD. Hindley Earnshaw: caring and good but weak and unable to stand up to Catherine on Heathcliff. 44. Which of the following is the right order of these events?`$ Edgar and Catherine get married. a$ Linton Heathcliff is born.b$ Heathcliff runs away from Wuthering Heights.c$ Catherine dies soon after giving birth to a daughter.A. `$a$c$b$ B. b$a$c$`$ C. `$c$b$a$ D. b$`$c$a$45. When Heathcliff returns from being away, which social class does he belong to?A. aristocracy B. gentry (upper-middle class) C. working class D. lower class,{ N钀R 孾b_kXzzqQ15槝蟢\槝1R 醤R15R 桘 Nb楉w噀 蜰韜噀TT槝@b賬剉A0B0C0孴D-N  慂Q颯錘kXeQzz}vY剉gsO 恲 v^(WT{槝aS N\鍕y槀m褳0Itzhak Perlman, the world famous violinist, got polio (\?Q粸鵸莡)as a child. ___46___, you know that getting on stage is not easy for him.On November18, 1995, he came on stage to give a ___47___ at Lincoln Centre in New York City. That night Perlman walked ___48___ to his chair. Then he sat down and began to play. But suddenly, one of the strings on his violin broke. You could hear it break with a loud ___49___.People thought to themselves,  He would have to get up to either ___50___ another violin or another string for this one. But he didn t. ___51___, he waited a moment, closed his eyes and then signaled the conductor to begin again. The orchestra (&_PN?began, and he played from where he had ___52___. He played with such passion and such power. Of course, everyone knew that it was ___53___ to play a symphonic work with just three strings. But that night Itzhak Perlman ___54___ to know that. You could see him changing and recomposing the piece in his head.When he finished, there was a ____55____ in the room. Then people rose and cheered. We were all ____56____, doing everything we could to show how much we ____57____ what he had done. He smiled and then he said in a quiet tone,  You know, sometimes it is the artist s task to ____58____ how much music you can make with what you have left. His words have ____59____ in my mind ever since I heard them. That is also the way of life. Perhaps our ____60____ in this quickly changing world in which we live is to make music, at first with all that we have, and then, when that is no longer possible, to make music with what we have left.46. A. At first B. As a result C. In other words D. In fact47. A. concert B. speech C. lecture D. presentation48. A. quietly B. slowly C. quickly D. smoothly49. A. scream B. voice C. noise D. shout50. A. find B. buy C. replace D. deliver51. A. Moreover B. Fortunately C. Therefore D. Instead52. A. stopped B. started C. forgotten D. continued53. A. impossible B. unique C. likely D. unnecessary54. A. attempted B. expected C. managed D. refused55. A. laughter B. discussion C. silence D. clap56. A. out of mind B. on our feet C. at our side D. on our knees57. A. remembered B. ignored C. shared D. appreciated58. A. let out B. put out C. find out D. give out59. A. disappeared B. mixed C. stayed D. changed60. A. goal B. task C. belief D. destination^ 愰b槝钀RqQ60R  鶺@x鍂茓袕(uqQ N倐  醤R35R qQ15\槝蟢\槝1R 醤R15R  9hnc錝a (Wzz}vYkXeQN*N怱_剉US蛬b靊鱏匭US蛬剉cknxb__ v^\T{Hh橯(WT{槝竳 N鴙擽槝鱏剉*j縹 N061.Whatever your answer is, there s always a lot ____________to it than first meets the eye.62. I ll give you a brief introduction to some aspects of film-making, most of ______ takes place behind the scenes.As green doesn t match any natural hair or skin color, actors can be easily separated from the background. This enables CGI effects _____________(add) later.The film looks like a fairly typical historical film without f__________ special effects, and it is made enjoyable by the performances of the main actors.65.To the ______________(frequency) asked question,  What s your favourite film? , my answer is Crouching Tiger, Hidden Dragon.66. However, the film s director. Ang Lee, ____________(prefer) to have actors perform on location.The young teacher decided to take all kinds of ___________ (approach) to teaching children English in that new school.If the ground begins shaking while you are driving, pull________ and stay in your car.The _________ touches are now being put to a new swimming pool and our workout rooms have been updated with modern equipment.Every possible means ____________ (try) to save the injured patient up to now.Tai chi has taught me to relax my mind, __________(able) me to stay cool in stressful situations.Zhang Sanfeng, a 13th-century Taoist, was said to have invented tai chi after drawing ____________(inspire) from a fight between a snake and a bird.With these requirements of tai chi in mind, I found to my satisfaction that my balance and flexibility slowly improved, that I was able to do more difficult moves, and ________my love for tai chi returned stronger than ever.At present, effective measures ______________________(take) to control the air pollution by our government..Nothing can exist _______________ (depend) of the other; for example, there is no shadow without light.,{孨倐qQ10\槝蟢\槝1R qQ10R 桘 Nb楉w噀 (Wzz}vYkXeQ1*N怱_剉US蛬b靊鱏匭US蛬剉cknxb__0Many scientists believe our love of sugar may ___76___ (actual) be an addiction. When we eat or drink sugary foods, the sugar enters our blood and affects parts of our brain ___77___ make us feel good. Then the good feeling goes away, __78___ (leave) us wanting more. All tasty foods do this, but sugar has a particularly strong effect. In this way, ___79___ is in fact an addictive drug, one that doctors recommend we all cut down on. It seems like every time I study ___80___ illness and trace a path to the first cause, I find my way back to sugar, says scientist Richard Johnson. One-third of adults worldwide have high blood pressure, and up ___81___ 347 million have diabetes(謡?\舥). Why?  Sugar, we believe, is one of the ___82___ (reason), if not the major one, says Johnson.Our bodies ___83___ (design) to survive on very little sugar. Early humans often had very little food. In this way, we had energy stored for when there was no food. ___84___ today, most people have more than enough. So the very thing that once ____85____ (save) us may now be killing us.,{ N倐qQ5\槝蟢\槝2R 醤R10R 鲖奲 NR錝P[褘b駛噀 v^\T{Hh橯(WT{槝竳 N鴙擽槝鱏剉*j縹 N0婲瀃 N `O(Wg僓^ N w0R剉5uq_/f'Y蠎洀銻錧\O剉ir vQ-N'Y钀R錧\O/f(WU^T蹚 L垊v0 __________________________________________________________________________ __________________________________________________________________________87. ^g N!k`O霳p嵺?uq_b桍e 齹骮N骮@b g汵(WU^T錧\O剉MbNS鶴O剉篘霳0__________________________________________________________________________ __________________________________________________________________________88. 騗蟸珗翄f 歔g袕≧剉篘€_€_O g鬴}Y剉MQ玼鹼邁 舥剉螛i杻廚O0 ____________________________________________________________________________________________________________________________________________________89. 6R歔;暭pR鰁 枡HQ亯€Q唲v/f`Ogg(W闠汵筫b g@b9e刄 /f胈簚烺齹 寑墍汻蠎貜/f詆鐥'`0 ____________________________________________________________________________________________________________________________________________________ T7h蛻亯剉/f 脋*Y乬骲纎裇哊b籗"}僛虁T剉-N齎噀S0 __________________________________________________________________________ __________________________________________________________________________,{擭钀R擽(u噀橯\OqQ1槝 醤R25R GP歔`O/fNgNS (W駛齎f[`N Sb梴T!h鷁畫瀀緥-N齎*Y乬噀Sh顅 鲖9hnc錘 N亯筽;NMr. Black橯N\酧01. 陙b薔蛜2. _緥-N齎*Y乬噀Sh顅剉烻郪2髞3 *N 03. 觺>\耂€蛬Glh顅column鑜a1. 蛬pe100鎉骃2. 颯錘怱_瀀燫苸倐 錘OL垏e迯/0__________________________________________________________________________ __________________________________________________________________________,{  PAGE \* MERGEFORMAT 10 u qQ  NUMPAGES \* MERGEFORMAT 10 u46>@JL    , 0 4 疴优订湊剈g]QG;1OJQJ^JaJ5OJPJQJ^JaJ5OJQJ^JaJ5OJQJo(^JaJ5OJQJ^JaJ5CJOJQJ^JaJ5乗CJOJQJo(^JaJ5乗OJQJo(^JaJ\OJQJo(^JaJ\CJOJQJo(^J5乗CJOJQJo(^J5乗CJOJQJo(^JaJ5乗CJOJQJ^JaJ5乗CJOJQJo(^JaJ5乗CJOJQJ^JaJ5乗CJOJQJo(^JaJ5乗4 6 < > B D P V ^ d h j p r 蹯赓闻罕攱€wlcXOD;OJQJ^JaJOJPJQJ^JaJOJQJ^JaJOJPJQJ^JaJOJQJ^JaJOJPJQJ^JaJOJQJ^JaJOJPJQJ^JaJOJQJ^JaJOJQJ^JaJOJQJ^JaJOJPJQJ^JaJOJQJ^JaJOJPJQJ^JaJOJQJ^JaJOJPJQJ^JaJOJQJ^JaJOJQJo(^JaJOJQJ^JaJOJQJ^JaJ5    > @ 綦赓蚊函拤€ufYJ;B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJOJPJQJ^JaJOJQJ^JaJOJQJ^JaJOJPJQJ^JaJOJQJ^JaJOJQJ^JaJOJPJQJ^JaJOJQJ^JaJOJPJQJ^JaJOJPJQJ^JaJOJQJ^JaJOJQJ^JaJOJQJ^JaJOJPJQJ^JaJ@ T V j l €   J 疳颐触槈zk^OB3B*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJJ L R ,.4疸耘锭槈zk^O@1B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJ $(4:BJNP疳颐揣構|o`SD7*B*phOJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJQJo(^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJPV\*,@蜚智韩瀼俿fWJ=0B*phOJQJ^JaJB*phOJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJ@HLN,.pr疸智涵瀾剋hYJ;,B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJQJ^JaJB*phOJQJo(^JaJ68LTXZ疳颐锭構|obSD5B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJQJ^JaJB*phOJQJo(^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ$&(fhjl疳颐触構|obUF7(B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ"&(np>@疸郧韩湇€sfWH9*B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJQJ^JaJB*phOJQJo(^JaJB*phOJQJ^JaJB*phOJQJo(^JaJ@lnHJn疳颐揣殝|m^OB3B*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ&*,pr蝈智韩瀾俿dWJ=.B*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJQJ^JaJB*phOJQJo(^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJQJ^JaJ$&ln疳耘锭槈zk\M>/B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ,.RTV疳颐触枃xiZK<-B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ"$8DHJ 疳耘斧湇~o`QB3B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJQJ^JaJB*phOJQJo(^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ >@XZxz疳颐触枃xiZK<-B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJz68Trxz疳颐触枆zm^O@0B*phOJQJo(^JaJ5B*phOJQJ^JaJ5B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJQJo(^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ疣蚜玻枃zk^OB3B*phOJQJo(^JaJB*phOJQJ^JaJB*phOJQJo(^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJQJo(^JaJB*phOJQJ^JaJB*phOJQJ^JaJ5B*phOJQJ^JaJ5B*phOJQJo(^JaJ5B*phOJQJ^JaJ5B*phOJQJo(^JaJ5B*phOJQJ^JaJ5 "$&@BDFr蝈厣辑爲剈h[J9( B*phOJPJQJ^JaJ5 B*phOJPJQJ^JaJ5 B*phOJPJQJ^JaJ5B*phOJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJQJ^JaJB*phOJQJ^JaJrt&(ln!!P!R!钸锌盁rcTC2 B*phOJPJQJ^JaJ5 B*phOJPJQJ^JaJ5B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJ B*phOJPJQJ^JaJ5 B*phOJPJQJ^JaJ5B*phOJPJQJ^JaJ B*phOJPJQJ^JaJ5B*phOJPJQJ^JaJB*phOJPJQJ^JaJ B*phOJPJQJ^JaJ5R!??##????t(v()).)0)疳锌啊paRC4%B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ B*phOJPJQJ^JaJ5 B*phOJPJQJ^JaJ5B*phOJPJQJ^JaJB*phOJPJQJ^JaJ B*phOJPJQJ^JaJ5 B*phOJPJQJ^JaJ5B*phOJPJQJ^JaJB*phOJPJQJ^JaJ0)P)R)v)x)???***b*d*f*?疳颐触枀vgXI:+B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ??+++p+r+????,,<,H,p,疳郧俯殝|o`SD7(B*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJp,r,t,v,??v/x/???????疬谓瑵paRC4%B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ B*phOJPJQJ^JaJ5 B*phOJPJQJ^JaJ5 B*phOJPJQJ^JaJ5 B*phOJPJQJ^JaJ5B*phOJPJQJ^JaJ??89:9????::6:8:p:r:→蜚耘俯殝|m^O@1B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJ→zR;T;扄擕曽楙邀欲< <l<n<忘疳颐触弨qbSD5&B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ*jUB*phOJPJQJ^JaJEH?B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ忘宵==j=l=??啐猃P>R>怇扊泾疳颐触枃xiZK<-B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ泾妣0?2?j?l?n?p?"@(@TAVA腄艱DE疳颐矗拑vgXI:+B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJ B*phOJPJQJ^JaJ5 B*phOJPJQJ^JaJ5B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ???DELE嶧燝餔騄\M^M騇NNN4N蜚颐触枃xiXI:+B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJB*phOJQJ^JaJ4N6NdNfN濶燦釴銷pOrO歄淥繭翺鐿疳颐触枃xiZK<-B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ鐿闛 P P綪繮赑躊黀QQnQ疳颐触枃xiZK<-B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJnQpQ蠶襋RRFRHRJRLR鑂頡LU疳颐触枃xgVG5&B*phOJPJQJ^JaJ#B*phOJPJQJ^JaJ5?*B*phOJPJQJ^JaJ B*phOJPJQJ^JaJ5 B*phOJPJQJ^JaJ5B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJLUNU闤靀瞃芛L\N\騗鬩:^@^~^€^燸疳颐玻攨vgVG8)B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ B*phOJPJQJ^JaJ5B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ B*phOJPJQJ^JaJ6B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ燸萟蔨_6_8_腳謃豞赺```疳颐触枃vgXI:+B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ`\`^`猔碻禶aa巃恆襛詀謅bb疳颐触枃xiZK<-B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJo(^JaJB*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJbbbdbfb篵糱$c&c€c俢辌郼FdHd癲疳颐触枃xiZK<-B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ癲瞕竏篸綿纃蘢蝑謉豥赿辒郿.e0ehe疸郧斧湉€qdWJ=, B*phOJPJQJ^JaJ5B*phOJQJ^JaJB*phOJQJ^JaJB*phOJQJ^JaJB*phOJQJ^JaJB*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJQJo(^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJheje鈋騟zf|f歠渇 hhPiRibidi钸慰盁n_P?0B*phOJQJ^JaJ>* B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJB*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJ B*phOJPJQJ^JaJ5 B*phOJPJQJ^JaJ5B*phOJPJQJ^JaJB*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJ B*phOJPJQJ^JaJ5di&j*jk(k渒瀔秌竗妉歭鈒鋖騧疳伊玻拋raR<-B*phOJPJQJ^JaJ*jzUB*phOJPJQJ^JaJEH?B*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJ B*phOJPJQJ^JaJ5 B*phOJPJQJ^JaJ5B*phOJPJQJ^JaJB*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJB*phOJQJo(^JaJB*phOJPJQJ^JaJ騧鬽nn:n* B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJQJo(^JaJ>* B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJQJo(^JaJB*phOJQJ^JaJ鄜鎫dlnt巰杸榾瀫爛$*钸尉瓰峿l]N?. B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJQJo(^JaJ>* B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJQJo(^JaJ>* B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>**.4磥簛緛膩巶杺鎮靷饌鰝渻镛暇疂巵raQ@1B*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJQJo(^JaJ>* B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJQJo(^JaJ>* B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJQJo(^JaJ>*渻瑑NTX^<FHP钷途瓭寎n_N>- B*phOJPJQJ^JaJ>*B*phOJQJo(^JaJ>* B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJQJo(^JaJ>* B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJQJo(^JaJ>* B*phOJPJQJ^JaJ>*P绤蕝虆詤4>@H&02:疬暇癁巬n]M<-B*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJQJo(^JaJ>* B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJQJo(^JaJ>* B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJQJo(^JaJ>* B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJ▏茋袊覈趪x€剤寛驂魤鰤鴫疳欣癄n_PA2B*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJQJo(^JaJ>* B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJQJo(^JaJ>* B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJB*phOJPJQJ^JaJ鴫0Hjr唺垔妸寠笂謯疳颐触枃xiZK<-B*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ謯陫饖驃魥02Dbv~疳颐触枃xiZK<-B*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJo(^JaJB*phOJQJo(^JaJB*phOJQJo(^JaJB*phOJPJQJ^JaJ~€倠構殝湅磱秼茓葖貗趮陭鞁疳颐触枃xiZK<-B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJo(^JaJB*phOJQJo(^JaJ鞁饗&(*,@BF`b疳颐触枃xiZK<-B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJo(^JaJB*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJo(^JaJb~€槍殞畬皩磳虒螌鈱鋵鼘疳颐触枃xiZK<-B*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ<>PRdxz枍槏湇笉疳颐触枃xiZK<-B*phOJPJQJ^JaJB*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJo(^JaJB*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ笉簫袓覎鎹鑽鼚8:N疳颐触枃xiZK<-B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJNPRTbdfh垘妿◣膸規饚疳颐触枃xiZK<-B*phOJPJQJ^JaJB*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJo(^JaJB*phOJQJo(^JaJB*phOJPJQJ^JaJ饚驇魩鰩*,>HJLhjl疳颐触枃xiZK<-B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJo(^JaJB*phOJQJo(^JaJB*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJln啅垙湉瀼磸稄虖螐袕覐驈魪疳颐触枃xiZK<-B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJo(^JaJ.04FHVXjl垚姁疳颐触枃xiZK<-B*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJQJo(^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ姁蕫虗驉魫^`fh"袙覓 "`疴丈慷洈寘}vng_XQIB:OJQJo(^J OJQJ^JOJQJo(^J OJQJ^J OJQJ^JOJQJo(^J OJQJ^JOJQJo(^J OJQJ^JOJQJo(^J OJQJ^JOJQJo(^J OJQJ^JOJQJo(^JOJQJ^JaJOJQJo(^JaJOJQJ^JaJOJQJo(^JaJOJQJ^JaJ5乗OJQJo(^JaJ5乗CJOJQJ^JaJ5乗CJOJQJo(^JaJ5乗`b迶魯鰯槙殨 :<Z槚殩臇茤`bN壹潠巼xpe[SLD=5OJQJo(^J OJQJ^JOJQJo(^J OJQJ^JOJQJo(^JOJQJ^J6乚OJQJo(^J6乚OJQJo(^J OJQJ^JOJQJo(^J OJQJ^JOJQJo(^J OJQJ^JOJQJo(^J OJQJ^JOJQJo(^JmH sH nHtH+B*phOJQJo(^J>*mH sH nHtH+B*phOJQJo(^J>*mH sH nHtHOJQJo(^JmH sH nHtH OJQJ^JNP鼧鷻鼨槡殮\^剾垱垳姕JL$&魺鰺獒谝嗣即洆寗}un_N?B*phOJQJ^JaJ\ B*phOJPJQJ^JaJ\B*phOJQJ^JaJ\ OJQJ^JOJQJo(^J OJQJ^JOJQJo(^J OJQJ^JOJQJo(^J OJQJ^JOJQJo(^JOJQJo(^JH*OJQJo(^J OJQJ^JOJQJo(^J OJQJ^JOJQJo(^J OJQJ^JOJQJo(^J OJQJ^JOJQJo(^J OJQJ^J"$>@df聽葼薁覡隆钸慰埃攪zkZJ9*B*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJQJo(^JaJ>* B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJQJ^JaJ\B*phOJQJ^JaJ\ B*phOJPJQJ^JaJ\B*phOJQJ^JaJ\ B*phOJPJQJ^JaJ\隆取省摇<@BJ"(*2蹋危钷途瓭寎l\K<-B*phOJPJQJ^JaJB*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJQJo(^JaJ>* B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJQJo(^JaJ>* B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJQJo(^JaJ>* B*phOJPJQJ^JaJ>*危"x~€垾茎磨 疬暇癁巬naRA1B*phOJQJo(^JaJ>* B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJB*phOJQJ^JaJB*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJQJo(^JaJ>* B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJQJo(^JaJ>* B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJ (啨垿灕うΖ咬丕讧猝px钸辛盃弨o_N?. B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJQJo(^JaJ>* B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJQJo(^JaJ>* B*phOJPJQJ^JaJ>*B*phOJPJQJ^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*xz劏屁权颞舁24~偐劑埄尒帺,.酞为知镛侠董搵xphaYLAB*phOJQJaJB*phOJQJo(aJOJQJo(^J OJQJ^JOJQJo(^JOJQJo(^JOJQJo(^Jo( OJQJ^JOJQJo(^J OJQJ^JOJQJ^JaJOJQJo(^JaJOJQJ^JaJOJQJo(^JaJB*phOJPJQJ^JaJB*phOJPJQJ^JaJ B*phOJPJQJ^JaJ>*B*phOJQJo(^JaJ>*湯灚搏传RT\湰灛<>噎原墉46援之jl蜚推痉啊拪儃tm^OG@ OJQJ^JOJQJo(^JB*phOJQJo(^JaJB*phOJQJo(^JaJ OJQJ^J OJQJ^JOJQJo(^J OJQJ^JOJQJo(^JB*phOJQJo(^JaJB*phOJQJo(^JaJ OJQJ^J OJQJ^JOJQJo(^J OJQJ^JOJQJo(^JB*phOJQJ^JaJB*phOJQJo(^JaJB*phOJQJ^JaJlくBDH獍浒姘璋畎舭 疸郧赴妠k\L;,B*phOJQJ^JaJ5 B*phOJPJQJ^JaJ5B*phOJQJo(^JaJ5B*phOJQJ^JaJ5B*phOJQJo(^JaJ5B*phOJQJ^JaJ5B*phOJQJo(^JaJ5B*phOJQJ^JaJ5 OJQJ^JOJQJo(^JB*phOJQJo(^JaJB*phOJQJ^JaJB*phOJQJo(^JaJB*phOJQJ^JaJB*phOJQJo(^JaJ@D\^`bt~€劚啽惐挶柋槺湵ū脖痃苡冉揣灂坽ri\OF;2B*phOJQJB*phOJQJo(B*phOJQJB*phOJQJo(^JB*phOJPJQJ^JB*phOJQJB*phOJQJB*phOJQJo(^JB*phOJPJQJ^JB*phOJQJB*phOJQJB*phOJPJQJ^JB*phOJQJB*phOJQJo(B*phOJQJo(B*phOJQJB*phOJQJo(B*phOJQJB*phOJQJ^JaJ5脖辣卤谋伪斜薇瓯毂虮舯 $綦庾闻斧妢tg^UH;2B*phOJQJB*phOJQJo(^JB*phOJPJQJ^JB*phOJQJB*phOJQJB*phOJPJQJ^JB*phOJQJB*phOJQJo(^JB*phOJPJQJ^JB*phOJQJo(B*phOJQJB*phOJPJQJ^JB*phOJPJQJ^JB*phOJQJB*phOJQJB*phOJQJo(B*phOJQJB*phOJQJB*phOJQJo($&24炔什尾hjnpvz|ǔ俺撼汲鸪虺龀綦庥品瘯弸墔|xvrplc_][o(o(o(UmHsHnHtHUo(o(o(Uo(o(UmHsHnHtHUo(o(o(Uo(U3B*phOJPJQJo(^JaJ5乵H sH nHtHOJQJo(^JB*phOJQJo(^JaJB*phOJQJ^JaJB*phOJQJo(^JaJB*phOJQJB*phOJQJB*phOJQJo(3B*phOJPJQJo(^JaJ5乵H sH nHtH6@L 6 j  @ d9Dd9DWDd勔`勔 d9Dd9DWDd勔`勔 d9D d9DWD劃`劃d9Dd9Dda$$ dWD2刬`刬da$$a$$ L .P,N.rxd9D d9DWDd勔`勔 d9DWDd勔`勔d9Dd9D d9DWD劃`劃d9Dd9DWDd勔`勔 ad9Dd9DWDd勔`勔 d9Dd9DWDd勔`勔 a 8Z((p@n}d9D d9DWDd勔`勔 d9DWDd勔`勔d9Dd9D d9DWDd勔`勔 d9DWDd勔`勔d9Dd9DWDd勔`勔 $d9Dd9Dd9DWDd勔`勔 a nJ,r&nohd9Dd9DWDd勔`勔 ad9D d9DWDd勔`勔 d9DWDd勔`勔d9Dd9Dd9DWDd勔`勔 ad9DWDd勔`勔 ad9Dd9DWDd勔`勔 ad9DWDd勔`勔 a V$J @pid9Dd9DWDd勔`勔 ad9Dd9DWDd勔`勔 ad9Dd9DWDd勔`勔 ad9Dd9Dd9DWDd勔`勔 ad9Dd9DWDd勔`勔 ad9DWDd勔`勔 a BFt(!R!?#??€yd9D d9D劋`劋d9D d9D剷`剷d9D d9D剷`剷d9D d9D劋`劋d9D da$$9D d9DWD剾`剾d9Dd9Dd9DWDd勔`勔 a?v()R)?*f*?+r+?r,€yed9DWDd勔`勔  d9Dd9DWDd勔`勔 d9DWDd勔`勔 d9DWDd勔`勔 d9DWDd勔`勔 d9Dd9DWDd勔`勔 d9DWDd勔`勔 d9D d9D劋`劋 r,v,?x/???:9?8:zT;擕w d9DWDd勔`勔d9Dd9DWDd勔`勔 d9DWDd勔`勔 d9D d9D劋`劋 d9D劋`劋 d9D劋`劋 d9D劋`劋 d9D劋`劋 da$$9D da$$9D 擕欲 <n<宵=l=?猃R>扊妣2?|o d9DWDd勔`勔 d9DWDd勔`勔 d9DWDd勔`勔d9D d9DWDd勔`勔 d9DWDd勔`勔 d9DWDd勔`勔 d9DWDd勔`勔d9D d9DWDd勔`勔 d9DWDd勔`勔 d9DWDd勔`勔 2?l?p?VA艱騄^MNfN銷rO翺pd9DWDd勔`勔 d9Dd9DWDd勔`勔 d9DWDd勔`勔 d9D d9D劋`劋 d9D剷`剷 d9D劋`劋 d9D劋`劋 d9D劋`劋 da$$9D d9DWDd勔`勔 翺 P躊QpQ襋HRLRNU靀N\|q d9D劋`劋 d9D劋`劋 d9D劋`劋 da$$9Dd9DWDd勔`勔 d9DWDd勔`勔 d9Dd9DWDd勔`勔 d9DWDd勔`勔 d9Dd9DWDd勔`勔  N\鬩€^蔨8_赺`^`禶a恆謅€yhd9DWDd勔`勔 d9Dd9DWDd勔`勔 d9DWDd勔`勔 d9DWDd勔`勔 d9DWDd勔`勔 d9Dd9DWDd勔`勔 d9DWDd勔`勔 d9D d9D剷`剷 謅bfb糱&c俢郼Hd瞕郿0eje}p d9DWD劀`劀 d9DWD劋`劋d9D d9DWDd勔`勔 d9DWDd勔`勔 d9DWDd勔`勔 d9DWDd勔`勔d9Dd9DWDd勔`勔 d9DWDd勔`勔 d9DWDd勔`勔  je|f渇Ridi瀔竗鬽n原6之lくD浒^€xhda$$9DVD劋^劋da$$9DVD劋^劋d9D dVD??^?dVD?勔^勔WD8刓刓 & FddVD??^?WD` dVD??^?d勔^勔WD??`?dVD??^?WD` dVD??^?d 鎈駚鎈駚舚s屌qs?茜0欆??╭ 迁q ?UEUE祧[r祧[r%o(,{倐V.Z.C.%o(,{钀R?.UE鎈駚祧[r╭ 舚s茜0&866666666 0@P`p€6666 0@P`p€ 0@P`p€ 0@P`p€ 0@P`p€ 0@P`p€ 0@P`p€J@?Jck噀 a$$1$ CJaJKHmH sH nHtH_H$A@?$貫祂=刉[SONi@?Nnf恏圏h(:V 44l44l @?0u w]a$$G$1$$dN%dO&dP'dQ9r  CJaJKHmH sH nHtH_H8 @8ua$$G$9r CJ4 @ J P@@ zrR!0)?p,?→忘泾DE4N鐿nQLU燸`b癲hedi騧p辮鈗騬v鑩迀,}鄜*渻P鴫謯~鞁b笉N饚l姁`N隆危 xl脖$[\]^_`abcdefghijklmnopqrstuvwxyz{|}~€ n?r,擕2?翺N\謅je妏fuf{殝螐b鰺T€nVG噝 €Times New Roman-?媅SOiTime New RomansArial Unicode MS;€Wingdingsbgsbgs 萉hx獙'-蹖t獙' 霩 +Z&!),.:;?]}    & 6"0000 0 000000  =@\]^?([{  0 0 00000;[??n€P)?$P漦2€碪碪碪碪))鉍)繹2藹DsQTtbg&n !t漦 '?楘腦6W玹?~c誑[遺??╩?Q%V饒  /餢2?茙?nK,C褢2?E)6I?蒐r塪?饅??  ? 3 ?瘊 疴?  皙  餤€€((€ 噀,gFh 5C"€€ €挶谋斜毂舯 4什jlnki9r &dP9r  dVD??^?dVDd勔^勔WD2刬`刬da$$9DWD凔`凔da$$9DWD凔`凔 da$$9D da$$9Dda$$9DWD凔`凔da$$9DWD凔`凔da$$9DWD凔`凔 nrtv dVD??^? 9r 9r  9r 9r ,皥( 癩9!皀#愋"靶$怰%皹2P1?饃  嵇€€A(8€ Gr 23"€€€2甬茙?nK,C褢`!饌茙?nK,C褢H ?P淽R蚾Q煼P簇▃?f!Q碼?懁犂S1UH<6t銅ew[噬弮.x?鹣疣蓩颇苛x颽&&饧輒l鷙缤o~筠紋髥窥@?``t0勀?*D<俾式T6牕鶪児埌撤`E桟硐埦燓DyG N p骢唣`xOB臔v牄毲>說靤跿-$印朊驵:壜醞湫E夫x揈淚毚请=R??唟珠蓵*Q~(酺┦%Y擡N?y??I瑫薱艦h闠 穠9漒?7G秮.宁vu庭N?{秢昊*\m酶$貂_Xǐy芴?8F?挥>執np7Xv唸叒e7藧i祻牻=v3颪X8傦朄;壵N$辀M郙\撨鹂&?悾钵yb鹀]称Z墋l峺灇{⒐瀗[崅膵呡f=蟩禊7甹y嗞踤珎鍆Od鼍b栉萔萆逕1鲜紉颜b9甕7亚Nt?詙?2祚?[^潲NMf?+蠖;uG犪?f豈?鄬r?靂?5zV+漫屭,杲,\ 璒L卅 S柘=_3鯽Ah撺 聇g6貖{弰 W$慢{{葰yDdwq饃  嵇€€A(8€ Gr 43"€€€2瓠E)6I?蒐r塪?`!饋E)6I?蒐r塪圚?鄬O淽ROoQ煼P簇▃?f!Q碼"I!@Y(1瓙x6t泾祟稊撜.x?